The project took five years to complete and employed over 300 companies and 250 designers. It finally opened its doors on 1 December 1999.
About halfway through the 15 km journey south from Dubai city centre to the resort, the hotel suddenly bursts onto the horizon, dominating the skyline long before it is reached. The splendour of the Burj Al Arab contrasts strongly with the low-level concrete buildings that surround it.
From a distance the building looks big. But the bulk created by its billowing sail-shaped facade belies its true scale. Officially billed as the world's tallest hotel (beating its nearest rival by one metre) 321 m of structured concrete and metal stand proudly atop a man-made island 290 m into the Arabian Gulf.
Steel cladding panels on the outside of the building are 1·5 m wide by 3 m tall and the double-skinned Teflon-coated woven glass fibre fabric which makes up the front of the building stretches to 54 m x 180 m.
A single, snaking bridge is it's only connection to land and the remainder of the resort. Through the undercarriage of this slender bridge all building services are provided to the hotel. No back door was allowed for deliveries or to hide equipment, so everything must enter via this route. The main source of floodlighting for the tower is also provided from here1. "It took a lot longer to work out the services in the belly of the bridge than to lay out the bridge itself, " stated W S Atkins project architect Paul Roberts.
During construction the bridge changed from straight to curved to accommodate a larger beach and the water park. Piles put in then had to be removed when it changed to its final shape. This shape determined the depth of the structure, "becoming instantly thin to contrast with the Tower", explains Roberts.
Inside the building, features range from elaborate gold and Austrian crystal chandeliers to delicate mosaic patterns. With around 8000 m2 of 22-carat gold leaf and gold paint, at £35/ounce, this hotel is not exactly catering for your average tourist.
Building a monument
The design and construction management of the entire resort fell to British consultants, W S Atkins, the company having won the contract by competition. Construction management was chosen for cost control and speed of building.
The initial brief was for a holiday resort which would "make a statement" and provide Dubai with a world-recognised icon. W S Atkins' architects, in their search for heritage on which to base the resort, opted for a "marine theme without the portholes".
The scale of the project necessitated the breakdown of work into smaller, individual procurement packages, with each being tendered separately. Design work started on-site on 2 January 1994, the contract having been won the previous November. The first piling began for the Jumeirah Beach resort in late 1994, and by the middle of the following year floors were being completed at a rate of one per week.
The legal system in Dubai dictates that no project can be carried out by an entirely foreign conglomerate, and requires that all contractors have a local company as a partner or sponsor. A form of partnering was therefore used throughout some areas of the project, and with some success, according to the engineers.
The scheme has generally been completed to British Standards, with National Engineering Specification used for the mechanical services. The fire protection sprinklers in the Burj Al Arab were designed to NFPA Codes as these were considered to be more appropriate.
Working with the elements
The intense heat and humidity in Dubai was a major challenge for the British engineers. Working in safety boots and helmet was said, unsurprisingly, to be difficult in a region where summer temperatures sit at around 45°C.
The conditions also had an effect on building materials. The concrete was "significantly different" from that used in the UK and had to be constantly sprayed while curing to prevent it from setting too quickly.
Services plant will be affected by the high saline and humidity content of the air – life expectancies are likely to be reduced and maintenance levels will be higher than usual. Wind-blown sand is one of the biggest problems, contaminating air handling unit filters and chillers, the latter being pressure-washed every three months to remove the sand.
Corrosion is also "a big problem" said project engineer Steve Phillips. "From external light fittings where paint just peels off, to corrosion of stainless steel. People are surprised to see how much work is needed to keep [the stainless steel] clear and well maintained." This maintenance is down to the management group, Jumeirah International, who will run the resort. W S Atkins will vacate the site at the end of the one year defects liability period in September.
With the steel joints of the building 'frame', measurements of adjoining parts had to be taken at the same time in order to account for differences in size caused by the heat.
Everything about the structure seems oversized when compared to an average UK building. Each suite is a two-storey affair larger than most dwellings – these reach a building depth of 14 m. The main pea-pod shaped trusses which stretch diagonally up the two sides of the building, seem to hold the structure effortlessly. And so they should. Each one of these is 85·6 m long, weighs 120 tonnes, and is held by a 350 mm diameter steel pin at either end. They were also transported as complete pieces by road.
This is one area where constructing in Dubai certainly had an advantage over, say, London. As the resort lies out of the city centre, the engineers were able to close a six-lane main road for an entire day. The trusses were then transported to site on extended 80-wheel flatbed lorries specially imported from South Africa.
One slight quirk to the construction process came from the labour. The majority of the site workers were Pakistani and Indian, nations that are well represented in Dubai generally. They are also very religious nations and the Muslim faction among the workforce was high. Irrelevant one may think? Not when there are deadlines to keep and the workers down tools five times a day for prayers.
Servicing a giant
When construction began on-site, servicing also began, literally from scratch. In Dubai, the norm has been to build first, service later; hence many buildings are serviced by septic tanks and small generators. Some don't even have roads to them until long after they are complete.
The fact that the resort would lie in an area of low development played a big role; there was no substation large enough to provide the 60 MW connected load required, and the municipal council baulked at handling the wastewater in the existing sewerage system. There was a plan to extend the city's drainage system to the area, but to account for the resort, the local council accelerated its plans by over four years – this pipework was then laid in around ten months.
Initial ideas for central services included storing plant underground in front of the Jumeirah Beach hotel, putting water-cooled chillers in the basement of the Burj Al Arab and using seawater for cooling. These were all rejected in favour of storing essential plant for the entire resort together on an area opposite the main site which was intended for staff accommodation.
Rows of chillers tail off into the distance in this central plant area. 32 McQuay air-cooled chillers to be exact, with an installed capacity of 30 MW; the total demand for the resort is around 27 MW.
The bulk of the heat for the resort is provided by heat recovery from the chillers, standby electric heating being used as top-up only when required, but that "hardly ever comes on", according to Phillips. The summer heating demand for dehumidification is larger than the winter heating demand for the hotels, so supply and demand patterns fit neatly, most heat being generated by the chillers in the summer.
Electricity supplies are provided via a 100 MW, 132 000 V sub-station, built by the local electricity company in line with the scheme programme and to serve future developments in the area. This supplies 18 hv sub-stations around the complex, including switchgear to link in two 1·8 MW standby generators located in the central plant area. The generators supply emergency power at 11 kV to both hotels; the Burj Al Arab also has a 380 V generator for life safety services as back-up in case of damage to the bridge. Six of the sub-stations, each with two transformers, serve the chillers in groups of six.
Also on-site are six reverse cycle McQuay heat pumps, which are purely for the swimming pools in the Jumeirah Beach hotel and the Wild Wadi water park. These have a 4 MW heating and 3 MW cooling capacity and change over simultaneously depending on whether the water park requires heating or cooling. A standby capacity of one unit is included, but the facilities managers have chosen to share the load and tend to run all units together.
All potable mains water is treated before being dispatched to the hotels to maintain a consistent and known standard. The mains supply is said to be of good but variable quality – it can be heavily chlorinated at times and sand is prone to entering some of the pipework, spreading through the system. To counter this, all water is passed through sand and carbon filters, after which it is softened, blended and treated with chlorine dioxide before being stored for pumping to the hotels.
Primary chilled water pumps circulate around 1200 litres/s to the top of the Jumeirah beach hotel and to floor eight of the Burj Al Arab. The height of the latter means the water pressure would be around 40 bar at the bottom if not controlled. Everything above floor eight is therefore served via Alfa Laval heat exchangers in the subsidiary plantroom on this level.
The hotels are served from two duplicate sets of pipes which run from the plant area under the main road to the resort. At this point it splits into two 500 mm pipes, one for each hotel. This duplication was provided due to concerns over the potential for damage during future roadworks given the distance of the central plant area from the hotels – 1003 m from the Burj Al Arab and 500 m from the Jumeirah Beach.
Winter design conditions of 8°C, 100% rh and summer conditions of 46°C db, 32°C wb mean closely controlled services are required to maintain setpoint conditions. For this, a Landis & Staefa bems in the central plant area links to individual controllers throughout the resort.
The vast expanse of glass for the buildings had also to be carefully selected to ensure minimal solar gains. Glass with a U-value of 0·32 W/m2K was used on the spandrel panels, and glass of 1·7 W/m2K on the other areas. A low-emissivity coating was also applied to the glass – something that is uncommon in this region.
Thermal modelling was carried out at W S Atkin's Epsom office to determine the most efficient servicing strategy for the building and to ensure smoke extraction met fire regulations. In the breathtaking 180 m-high central atrium of the Burj Al Arab, heat gains were estimated at 650 kW. Computer modelling of air movement in this area was therefore vital to ensure an even temperature throughout. An airflow rate of 100 m3/s is maintained through the atrium under normal conditions, for smoke extraction should a fire occur, this rises to 350 m3/s.
Living in the lap of luxury
When a hotel can lay claim to two 18th floor swimming pools, you know your every possible whim will be pandered to. And it is.
The level of care taken over the servicing is fully evident in the rooms. It is hard to comprehend the conditions outside when standing in a room with setpoints of 23±3°C, 55% rh. Mini air handling units are fitted in every suite. These are linked to the main bems, from where the conditions in each room can be monitored and individually adjusted. Inside the room, the guests can control conditions from a wall-mounted panel.
Nothing like this has ever been done before, and the chances are, they never will be again. To find a second client with the finances, foresight and determination to see a project of this scale through to completion must surely be a one-off. Making the resort, truly world-class.
Wet and wild in Dubai
Dubai’s first fully-themed water park, the Wild Wadi is already proving one of the city’s main attractions. Located next to the Jumeirah Beach hotel, it is the first such park in the world to achieve ISO 9002 accreditation, and features a cash-free wristband system as well as efficient backwash arrangements to minimise water use. A water volume of 7000 m3 is pumped around the park at a rate of 50 000 m3/h to cater for the 24 different rides and features available to visitors – from a rip-curling surf machine to wave pools the size of which most local sports centres can only dream. If placed end to end, the rides would stretch to 2160 m. These are constructed of glass fibre, each part imported from America and slotting onto pre-positioned stilts and concreted routes. This process took major cross-Atlantic work as the dimensions and positioning of each part had to be exact to ensure smooth connections. Concrete pathways that navigate the park cater for bare feet in the heat, being sprayed for 30 seconds every eight minutes by solenoid-controlled sprinklers that rise out of the ground to spray before returning to a flush position. An unusual feature of the park is the connection of 16 of the rides by one metre deep plunge pools. Visitors never have to leave the 28°C water and can even change route, each of these pools having a choice of rides to move onto. On ten ‘master blaster’ slides, guests are pushed 15 m uphill at speed by water pumps at the bottom – a strange but exhilarating feeling to say the least.Ride of your life
One of the Burj Al Arab’s many unique features is a submarine ride which transports diners to the Al Mahara seafood restaurant. Computer simulations combine with a six-axis hydraulic motion platform to produce an inspiring underwater experience. The ride is entered through a gold-laminated pod that looks reminiscent of the cartoon yellow submarine made famous by the Beatles, if only in its surreality. The glittering doors open to reveal a more clinical oval area. Coloured in greys and chrome, eight tall-backed, seat-belted chairs face a ‘flight deck’ area with computer control screens and buttons aplenty. Sitting in the ride, a childlike anticipation descends. You know you are going to eat, but how you will reach your table and what will happen in the meantime is open to guesses. The nervous excitement rises as the ‘submarine captain’ closes the doors. A sharp jolt starts the proceedings. This in reality is the lift starting its descent to the ground floor; all movements on the motion platform taking place there. In the dream world created by the ride however, it is the submarine cutting free from its moorings. False shutters on the five portholes lining the pod slowly open to reveal an exit shaft. A bumpy ride ensues. The feeling of dropping coincides with the portholes filling up with water. If anyone has ever scuba dived, think back to your first ever dive and that initial decent underwater when your vision is coated in water for the first time. The feeling here mirrors that and brings butterflies to the stomach. Through the portholes the submarine lines up before shooting forward through the exit tunnel into the depths of the ‘ocean’. The view out over the sandy ocean bed, through the clear blue sea is a mix of real film and artificial simulations created by Sussex–based Intersim. The use of fully-filmed footage from the Gulf was rejected due to poor visibility; however, the sights shown are enough to whet the appetite of even the most experienced diver and make them wish the 60 second journey were longer. Gradually in the distance a domed building comes into view. It becomes clear that this is the destination and passengers’ focus is now drawn here. The submarine moors, the shutters close and the door opens. If you think your pre-dinner excitement is over though you’d be wrong. On exiting the ride you catch the first glimpses of a 270 000 litre oval aquarium. The 20 cm thick acrylic tank is the centrepiece of the restaurant and would be the envy of many a SeaLife Centre. A mesmerising undersea world has been built up, with arrays of urethane artificial corals creating hiding grounds for the 1500 fish that currently populate this and two further tanks. Tables run round the tank perimeter, making this the hotel’s most popular restaurant, and always fully booked.The ultimate hotel room?
On entering your suite at the Burj Al Arab you can’t help but notice the 1067 mm, wide-screen, plasma television screen. The welcome message tells you that it serves as a visual display terminal for many of the in-suite interactive multimedia (imm) and special guest facilities, writes Rob Ruse. You can surf the internet and gain access to e-mail using two devices: a portable infrared qwerty keyboard and an infrared lcd touch screen. By surfing the system you can display your hotel account, order room service, view hotel promotions and weather information from the rooftop weather station, and check out the latest local tourist information. You can also shop online at any of the hotel’s retail outlets downstairs. Of course you can also watch television. The hotel has a video-on-demand (vod) system. It delivers 6 Mbs mpeg-2 encoded audio-visual to your television over a hybrid fibre/coax (hfc) network and stores over 100 feature length movies for you to watch whenever you want. The vod system also incorporates on-the-fly mpeg-2 encoding and storage of up to two satellite television channels which allows the hotel to store programmes for you to play back over the vod system at your leisure. You now head for the suite’s business centre and on the way, you click the little curtain icon on your touch screen remote controller and great swathes of material automatically drape themselves across the vast expanse of floor-to-ceiling glazing in your suite. Different lighting scenes can be programmed from a control panel on the wall. In addition to a laptop computer, the business centre is equipped with a networked integrated fax/printer/scanner. You can scan and print colour documents with the laptop pc and receive faxes directly to your suite; each guest being given a unique fax number for the duration of their stay. You can also use the machine to print out your room folio or information and messages ordered up either via the laptop pc or the imm. A separate isdn2 point lets you set up a video conference and a fully-featured desk-mounted digital telephone and cordless dect phone will keep you in touch with the outside world. Now, you just have enough time to get that e-mail off to Moneypenny before you settle down to your favourite Arnie movie. How are your senses by the way? Shaken, not stirred?Source
Building Sustainable Design
Reference
The author acknowledges the help of Jumeirah International and W S Atkins' staff in the UK and Dubai for their help in producing this article. 1A full overview of the hotel's lighting design was published in the January-February 2000 issue of Light and Lighting.