As the National Gallery approached its bicentenary, it embarked on a major renewal programme known as NG200. The project was intended to reframe the institution’s presence in the public life of London and broaden its appeal to a wider audience. The remodelling of the Sainsbury Wing, now to become the primary entrance for all visitors, is the most visible element of this first phase.

Designed by Venturi Scott Brown and opened in 1991, the wing has now been substantially altered by Selldorf Architects, working with Purcell as heritage architect. Vogt led the landscape design, and Lawson Ward Studio delivered a reimagined learning centre at the back of the gallery on Orange Street.

This first phase also includes preparatory works for a second stage of development, due to start in 2026. That will introduce a new underground public link beneath Jubilee Walk, connecting the Sainsbury Wing with the Wilkins building and a much improved research centre.

But this is not just another high-profile museum refurbishment. It also asks what it means to conserve postmodern architecture whose value lies as much in spatial sequencing and conceptual intent as in its built fabric. The new design opens up the building and improves the visitor experience. But does this greater clarity and rationality come at the cost of losing what made the original design distinctive?

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