The woman behind Canary Wharf’s creative scene is public art consultant Theresa Bergne, who believes art is fundamental to the area’s sense of identity. “People come to look at the architecture, the gardens, the art,” Bergne says. “They respond really well to the atmosphere. There’s an overwhelmingly positive response to the public spaces here.”
Bergne has been selecting art for the
estate since 1997. She is keen to work with tenants as well, to get the best out of the artists they commission. “It’s important that the art is in keeping with their art collection,” she says. “Choosing the artist is always an interesting and positive process.”
One recent addition to her portfolio is an Alexander Beleschenko glasswork, which stands by
I like 25 North Colonnade. It’s a really unfussy, modern, clean building and the proportions of the windows to the rooms is just fantastic
Theresa Bergne, public art consultant
an underground entrance to the Citigroup tower. How was it chosen?
“We identify the location first. In this case it was a corridor that links two buildings,” Bergne explains. “We decided we wanted a work in glass, so we researched artists who work in glass. Then we talked to Citigroup and the architect, drew up a brief and invited artists to submit a proposal. The art committee assessed which was the most successful use of the opportunity that space presents.”
Canary Wharf Group’s effort was recognised at last year’s Art & Work Awards (initiated by International Art Consultants and Art for Offices) with its first special award for outstanding contribution to art in the working environment.
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